Well the 84th Annual Academy Awards aired last night. It was a great show. Billy Crystal hosted for the 9th time and was great as usual. Not really any true surprises winner wise from the show, but none the less still entertaining. Here are the winners in the order they were announced last night.
Best Cinematography: Robert Richardson, "Hugo"
Best Art Direction: Dante Ferretti and Francesca Lo Schavo, "Hugo"
Best Costume Design: Mark Bridges, "The Artist"
Best Makeup: Mark Coulier and J. Roy Helland, "The Iron Lady"
Best Foreign Language Film: "A Separation"
Best Supporting Actress: Octavia Spencer, "The Help"
Best Editing: Kirk Baxter and Angus Wall, "The Girl With the Dragon Tattoo"
Best Sound Editing: Phillip Stockton and Eugene Gearty, "Hugo"
Best Sound Mixing: Tom Fleischman and John Midgley, "Hugo"
Best Documentary: "Undefeated"
Best Animated Feature: "Rango"
Best Visual Effects: "Hugo"
Best Supporting Actor: Christopher Plummer, "Beginners"
Best Original Score: Ludovic Bource, "The Artist"
Best Original Song: Bret McKenzie, "Man or Muppet"
Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, "The Descendants"
Best Original Screenplay: Woody Allen, "Midnight in Paris"
Best Live Action Short: "The Shore"
Best Documentary Short: "Saving Face"
Best Animated Short: "The Fantastic Flying Books Of Mr. Morris Lessmore"
Best Director: Michel Hazanavicius, "The Artist"
Best Actor: Jean Dujardin, "The Artist"
Best Actress: Meryl Streep, "The Iron Lady"
Best Picture: "The Artist"
As you can see The Artist was the big winner, taking most of the major awards. My predictions of the major awards didn't go so well as I only went 2/6, but hey you can't win them all. I guess if I had been able to see The Artist in time for last night's show I may have been able to make more accurate predictions. Thus the importance of seeing all best picture nominees. Oh well. Here's the best video I could find showing Crystal's opening monologue skit from the show. It's hilarious, but the volume is a little low in the video so you'll probably need to turn it up a bit.
I know the Oscars are ongoing right now, but that's okay because my predictions are for awards that don't happen until the end of the show. So I only was able to watch 6 of the 9 Best Picture nominees this year, but whatever I can still make guesses. Plus, by the way the best picture category is quite sub par this year. The films are good, but nothing blows you away like The King's Speech did last year. Anyways, to the predictions.
Best Picture: The Descendants
Best Actor: George Clooney - The Descendants
Best Actress: Viola Davis - The Help
Best Director: Alexander Payne - The Descendants
Best Original Screenplay: Woody Allen - Midnight in Paris
Best Adapted Screenplay: Alexander Payne, Jim Rash, and Nat Faxon - The Descendants
The Descendants will be the big winner obviously if I end up being correct. Remember, these are who I think will win, not necessarily who I want to win. Let's hope I'm right! Enjoy the show!
UPDATE: So I went 2 for 2 on the screenplay awards, but unfortunately missed all of the others. I really wanted Viola Davis to win and thought she should've, though I'm sure Meryl Streep, who did win, did a great job in The Iron Lady. As for the other awards they all went to The Artist. I will be posting a full work up of the winners shortly!
Whether you've seen the trailer to The Descendants already or not, on the surface it looks like a good movie. It's set in Hawaii, directed and co-written by already two time (and now three) Oscar nominee Alexander Payne and stars George Clooney. Sounds like a good recipe for success, and I'm glad to say the recipe works. Though like many real recipes it could have used a little tweaking here and there to just be that little bit better. Okay, don't worry I'm done with the recipe analogy.
The Descendents is just like Alexander Payne's other works (Sideways, About Schmidt) in that it's a dramedy. In case some readers out there aren't familiar with that term that's a dramatic comedy. Though set in Hawaii, where many like to think of as paradise, is far from that for Matt King (Clooney). King is a real estate lawyer and the sole trustee of a family trust that controls 25,000 acres of land on Kauai and is set to expire in 7 years. Him and his many relatives, who are descended from some of the first white settlers of Hawaii, as well as Hawaiian royalty, must make a huge decision on whether to sell the land or not and if so, then who to as it could have a huge impact on many fronts.
As if this were not enough for King to be going through, his wife is in a coma after a boating accident. Now he must figure out how to deal with an ailing wife and 10 and 17-year-old daughters. This proves to be even more difficult as he is in his own words "the back-up parent." Think his plate can't get any fuller? Well it can, as he learns that his wife had been cheating on him. From here King goes on a journey to find out who his wife's love was, while along the way trying to connect with his children along the way.
As with many good movies, it all begins with the story. This one is no original as it is based off of the novel of the same name by Kaui Hart Hemmings. However, though I haven't read the book, from my point of view Payne and his two fellow co-writers have done a great job at adapting it. I'm not the only one as the Academy has nominated the three men for a Best Adapted Screenplay Oscar. Payne is also recognized with an Oscar nomination for his work behind the camera and he rightfully should be. He creates some incredible and beautiful shots of the landscape in Hawaii, but more importantly throughout the movie he is able to shoot and portray the many different emotions and reactions the characters have to their circumstances. Some of these scenes come through with such honesty that it allows the viewer to connect and relate with the characters and what they're going through.
Now in front of the camera the real applause must go to George Clooney. As many other critics have praised I believe this to be one of Clooney's best performances. Overall, it's a character I find it must be difficult to play with all that's going on in his life. Yet, Clooney seems to be on point as his portrayal of King throughout is one that is real and for lack of a better term, just seems to make sense with everything he does. Having already taken home a Golden Globe for his performance, I think he has a good shot of walking away with the Oscar for Best Actor. With that I don't want to shy away from the great performance by Shailene Woodley (The O.C.) who plays Alexandra King, Matt's eldest daughter. She is great as a troubled older teen trying to make sense of all that is happening in her life. It makes sense she was rewarded with a Golden Globe nomination and that there was some talk of a possible Oscar nomination for her performance.
Overall, I thought this a creative story with many different pieces to it that bring in many different human elements. It's entertaining to watch it unwind and see the different characters deal with these elements in real ways. The setting of Hawaii is an added bonus as it creates some great backgrounds and scenery. Though I did like the movie, I was not fully taken with it as many other critics were. Though it dives right into it's plot lines, I felt like it was still a bit slow to taking off per say and really grabbing me. It was also a bit heavier than I expected going in, and thought there would be just a bit more laughs than there ended up being. With that said it is still deserving of the 5 Oscar nominations it has received, including Best Picture.
I give this movie 3 out of 4 stars and a thumbs up. This movie is still in theaters now, though unless you want to go see it before the Oscars it is not one I say must be seen in theaters. If you're willing to wait for it on DVD then I don't see the harm. Enjoy!
Editor's Note: My next review will be on the Best Picture nominated film War Horse directed by Steven Spielberg. Also here is a pictures of the land they use as the land King owns on Kauai. In the movie King and his family stand just feet from where I took these pictures. It is real privately owned land on Kauai that you can get to on a ATV tour on a private ranch. I highly recommend doing so if you ever visit.
Nostalgia. It's quite something when you think about it. How something, such as a memory, object, or even a perception of something from the past can make you miss and want that time to happen again so badly. Think of a happy moment in your own life about anything at all. Does it make you happy? Do you wish you could perhaps live that moment again to feel that original happiness the moment brought you? If you could, would you? In Midnight In Paris, a man is given the opportunity to do just that as the undeniable yearning for the past we all get now and then over whatever it may be is the film's major theme.
Midnight In Paris centers around Gil, played by Owen Wilson (How Do You Know?). Gil is a successful screenwriter, who is at a bit of a mid-life crisis as he tries to transition from screenwriting to novel writing. Or as he puts it, write something of actual artistic value. He is enamored with the era of the 1920s and the artists from it, such as F. Scott Fitzgerald, Ernest Hemingway, and Gertrude Stein.
The film begins with Gil and his fiancee Inez, played by Rachel McAdams, vacationing in Paris with her wealthy, conservative parents. While there they run into Inez's friend Paul (Michael Sheen of Frost/Nixon) and his wife. They spend some time together and while Inez adores him, Gil can't stand another minute of his company (Who can blame him? Paul is a pseudo-intellectual. Barf). To break off from their new found friends Gil decides to walk home one night. As he wanders the streets of Paris an old car drives up next to him at midnight and the people in it, all dressed in '20s clothing, invite to come along. Gil accepts and they go to a bar where it doesn't take long for him to notice that he has all of a sudden traveled back to the '20s. He is surrounded by the people and artist's he idolizes. From here Gil is off on a search of self discovery as he continues to visit the past and write his book.
This movie has the potential to really connect to certain viewers, while perhaps shunning others. Fans of history (such as myself), or perhaps old writers and artists like Gil, will surely be intrigued and delighted by the constant cameos and drop ins of all the old well known artists that appear throughout the movie. I, myself highly enjoyed it, though I must admit I didn't know of everyone that popped up. Though I was constantly Googling names to learn about who I didn't know and I think that's another great affect this movie can have. You may not know all of the historical figures, but if you're interested than I can safely bet you'll probably be trying learn who they are.
A huge piece to making this movie good goes to the acting of Owen Wilson. His enthusiasm and sincerity he brings to Gil's character is perfect in reflecting how excited he is to meet the people he idolizes, while also how confusing and complicating it's making the rest of his life. His Golden Globe nomination was well deserved, and in perhaps a lighter year with not so many strong candidates he could have scored an Oscar nod as well. But, if he had I don't think many critics would be saying anything against it.
Rachel McAdams as always is charming and delightful in playing Inez, who though loves Gil, is just not on the same page with him in much of anything. Marion Cotillard (Inception) is wonderful as Adriana, a mistress of Picasso who begins to fall for Gil. Sheen is also perfect as Paul, who is just a tool. Though brief, the cameo roles are great as we get to see Kathy Bates (Revolutionary Road) play Gertrude Stein, and Adrien Brody as Salvador Dali, both of which just seem to fit perfectly.
This review cannot be complete without mentioning Woody Allen. The great writer/director has done it again with this movie. The story idea is very fresh and original, not to mention well written and funny. Being shot on location in Paris makes it that much better as it really helps the audience get in with the feel of the city and connect with the characters more. It's no surprise this movie is up for 4 Oscars, including Best Original Screenplay and Best Director for Allen, as well as the biggie, Best Picture.
Overall, I have to give this movie 3.5 out of 4 stars and a thumbs up. I believe it is a story many can enjoy, but can see others not connecting with it and thus not enjoying it as much. However, I recommend you all see it first before you judge. This movie is out on DVD and Blu-Ray now and is also available at your local Redbox. Enjoy!
Editor's Note: My next movie will be on the Best Picture nominee The Descendants starring George Clooney and directed by Alexander Payne.
So far on this blog I think it's safe to say that I have reviewed a fair amount of romantic comedies, especially lately. But then again, I think that term is thrown around too loosely sometimes, or used too technically. I've done it myself. For example, when you talk about Wedding Crashers are you saying its a comedy or a romantic comedy. My bet is most people say comedy. I do, but if you wanted to get technical you should label it the latter. Any who, my point is that when the term romantic comedy is used, most people expect some cheap, cheesy, gimmicky movie starring Hugh Grant or Katherine Heigl, that in all honesty is probably a chick flick. However, every now and then a movie comes along that fits the title of its genre, but does not go by its specifications. Crazy, Stupid, Love is one of those.
Crazy, Stupid, Love is about....well...love. DUH! It's about first loves, lost loves, new loves, and everything in between. This movie follows many different people that all become connected in some way, but mainly around Cal and Emily Weaver, played by Steve Carell (Despicable Me) and Julianne Moore (Chloe). They're married high school sweet hearts and the movie opens on them at dinner. It's quite obvious the two have fell in a rut, but no more than a couple minutes into the movie does Emily drop a bombshell. She wants a divorce and has slept with a coworker named David Lindhagen, played by Kevin Bacon (X-Men: First Class).
At this point Cal is quite depressed as expected, and begins going to the same bar every night where he drinks heavily and complains about his life. Here he meets womanizing, smooth talking, playboy Jacob Palmer (Ryan Gosling of All Good Things) who vows to take Cal under his wing and show him how to pick up women and get him over his ex-wife. All the while, Jacob had his advances spurned just a tad earlier in the film by an attractive young woman named Hannah (Emma Stone of Easy A) who seemed to have really caught his eye. From here we watch as Jacob helps transform and revitalize Cal into a new found image and persona. But through it all Cal still suffers as he goes through his divorce and deals with not only his longing love for Emily, but his son's love issues as well.
Though this story focuses centrally around Cal and Emily and their relationship, everyone else involved has their own love and relationship to figure out too. It's how all of these people intertwine with each other and connect in some way that makes this story so good. It's really quite clever how the writers were able to put it all together and that just adds onto how funny the movie is. The trailer is loaded with laughs, but those aren't the only ones in there. Steve Carell is hilarious as usual and Ryan Gosling portrays his character perfectly. It's an all around great effort by a superb ensemble cast and everyone gets in on the laughs. Though my favorite line might be one by Cal midway through the movie, where right as you think the movie is falling into a gimmicky cliche, he drops a line that totally calls the movie on it and makes fun of itself; and as you all know I love when a film is able to do that.
In reference to the ensemble cast, I do not want to leave out Marisa Tomei (The Lincoln Lawyer) and Kevin Bacon's characters. Though not seen much, they both make the most out their short screen time. Tomei is hysterical and perfect as a slightly crazy hookup of Cal's that comes back to haunt him, and Bacon is funny as Emily's moving to fast boyfriend who is quite frankly, just a douche.
Overall, this movie had everything one good ask for. It appeals to a mass audience and both genders. It's funny, touching, clever, and provides a few unexpected twists to keep the viewer quite entertained. Plus, it's not overly long with running time of 1 hour and 58 minutes.
I give this movie a thumbs up and 3.5 out of 4 stars. If you haven't seen it, do so. It's a great date movie. If you have seen it, see it again. Heck, I'll probably go buy it. As you could guess this movie is out on DVD and Blu-Ray and is also available at your local Redbox. Enjoy!
Editor's Note: As I said in my previous post from this point until the Oscars I will be more than likely only posting reviews of Best Picture nominated films, though who knows something else could slip in. My next review will be on the nominated Woody Allen film Midnight in Paris, starring Owen Wilson and Rachel McAdams.
Well the nominations are in for this year's 84th Annual Academy Awards.
There seems to a quite a few surprises this year when comparing the
nominations to the award shows this season. However, when is there a
year where this isn't snubs and surprises?
Leading the pack this year
with the most nominations is Hugo with 11 total and The Artist coming in a close second with 10. The Oscars will air on ABC on Sunday, February 26th and for a full rundown of the nominees check out the list below.
Best Picture The Artist The Descendants Extremely Loud & Incredibly Close The Help Hugo Midnight in Paris Moneyball The Tree of Life War Horse
Best Director
Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life
Best Actor
Demián Bichir, A Better Life
George Clooney, The Descendants
Jean Dujardin, The Artist
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball
Best Actress
Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl With the Dragon Tattoo
Meryl Streep, The Iron Lady
Michelle Williams, My Week With Marilyn
Best Supporting Actor
Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Christopher Plummer, Beginners
Max von Sydow, Extremely Loud & Incredibly Close
Best Supporting Actress
Bérénice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help
Best Original Screenplay
Michel Hazanavicius, The Artist
Annie Mumolo and Kristen Wiig, Bridesmaids
J.C. Chandor, Margin Call
Woody Allen, Midnight in Paris
Asghar Farhadi, A Separation
Best Adapted Screenplay
Alexander Payne, Jim Rash, and Nat Faxon, The Descendants
John Logan, Hugo
George Clooney, Grant Heslov, and Beau Willimon, The Ides of March
Aaron Sorkin and Steven Zaillian, Moneyball
Peter Straughan and Bridget O’Connor, Tinker Tailor Soldier Spy
Best Animated Film A Cat in Paris Chico & Rita Kung Fu Panda 2 Puss in Boots Rango
Best Foreign Language Film Bullhead (Belgium) Monsieur Lazhar (Canada) A Separation (Iran) Footnote (Israel) In Darkness (Poland)
Best Cinematography The Artist The Girl with the Dragon Tattoo Hugo The Tree of Life War Horse
Art Direction The Artist
Harry Potter and the Deathly Hallows Part 2
Hugo
War Horse
Costume Design Anonymous The Artist
Hugo
Jane Eyre
W.E.
Documentary Feature Hell and Back Again
If a Tree Falls: A Story of the Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated
Documentary Short The Barber of Birmingham: Foot Soldier of the Civil Rights Movement God Is the Bigger Elvis Incident in New Baghdad Saving Face The Tsunami and the Cherry Blossom
Film Editing The Artist, Anne-Sophie Bion and Michel Hazanavicius The Descendants, Kevin Tent The Girl With the Dragon Tattoo, Kirk Baxter and Angus Wall Hugo, Thelma Schoonmaker Moneyball, Christopher Tellefsen
Makeup Albert Nobbs, Martial Corneville, Lynn Johnston, and Matthew W. Mungle Harry Potter and the Deathly Hallows Part 2, Edouard F. Henriques, Gregory Funk, and Yolanda Toussieng The Iron Lady, Mark Coulier and J. Roy Helland
Music (Original Score) The Adventures of Tintin, John Williams The Artist, Ludovic Bource Hugo, Howard Shore Tinker Tailor Soldier Spy, Alberto Iglesias War Horse, John Williams
Music (Original Song) “Man or Muppet” from The Muppets, Bret McKenzie
“Real in Rio” from Rio, Sergio Mendes, Carlinhos Brown, and Siedah Garrett
Short Film (Animated) Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life
Short Film (Live Action) Pentecost
Raju
The Shore
Time Freak
Tuba Atlantic
Sound Editing Drive
The Girl With the Dragon Tattoo
Hugo
Transformers: Dark of the Moon
War Horse
Sound Mixing The Girl With the Dragon Tattoo
Hugo
Moneyball
Transformers: Dark of the Moon
War Horse
Visual Effects Harry Potter and the Deathly Hallows Part 2
Hugo
Real Steel
Rise of the Planet of the Apes
Transformers: Dark of the Moon
Editor's Note:Look out later today for the review of Crazy, Stupid, Love. Also, I will now begin to watch and review all 9 of the best picture nominees as we lead up to the show so stay in tune for that!
Awww relationships, are they ever easy? Do they ever not get
complicated? The complexity that is a romantic relationship has
developed so many questions and answers and variable solutions that a
whole industry has been created. Men trying to understand women and vice versa. The movie industry is no newbie to playing to this facet of
human life either.
Does that paragraph seem oddly too familiar for some reason? Let's be real, probably not because who's going to remember something that lacks any importance. But if it somehow does it's because that's how I started my review for No Strings Attached. Since I'm reviewing a movie with essentially the exact same premise why not cut a few corners right? Don't worry, I'm not going to do that. However, I can't say I wasn't a bit skeptical going into this movie since the former had come out about 5 months before it. I told you Hollywood is no newbie to playing off of the same idea over and over.
Any who, Friends With Benefits is a movie about exactly what its title says. Justin Timberlake plays Dylan Harper an art director for a small internet company in Los Angeles. Mila Kunis (Black Swan) plays Jamie Rellis, a head hunter for a job agency in New York City, who recruits Dylan for a job at GQ Magazine. She is able to convince Dylan to take the job after his interview by spending the night taking him all around town showing him the sites, and thus sparking their friendship. Things become more intimate down the road when the two decide to take out their sexual frustration on each other. Having both just gotten out of relationships not long before and agreeing they're not ready for a new one, they decide what better way to answer their sexual needs without getting tied down. They set up rules so as to keep themselves from becoming emotionally attached. From here we watch as the two characters both seem to be falling for each other, but are far to afraid to admit it to each other or themselves.
As I said above I was a bit skeptical going into this movie, but I had heard good things so I figured I should check it out. I'm glad I did because quite frankly, it's hilarious. Most of this is due to the fact it's aimed directly at my generation, from its plot focus to its humor. They even make fun of themselves and the type of movie they're making which I always think is great. As for the actors, Kunis has always been able to be funny going back to her work on That 70s Show and Family Guy, while we all know Timberlake can bring it thanks to his great skits on SNL. Plus, I must admit he's becoming someone I'm enjoying watch act as he's doing a really good job in both comedic and dramatic roles. That bastard, what can't he do?
This movie has a great little cast of supporting characters around it too. Woody Harrelson (Zombieland) is probably the funniest character in the movie as he plays the gay sports director at GQ alongside Timberlake. It's really too bad he isn't in the movie more. Fair warning, he is vulgar as hell, which was completely unexpected, yet hysterical. Then there's also Patricia Clarkson (Easy A, One Day) as Jamie's wild promiscuous mom, and Richard Jenkins (Step Brothers) and Jenna Elfman (Dharma and Greg) as Dylan's dad and sister. There's also a great little cameo by Shaun White.
Overall, I thought this movie nailed it in what it was trying to produce. It delivered strongly on the comedy side, which was its main intent, with jokes that appealed to a mass audience, but struck hard with its target. Then when it needed its romance points it played into those well, whether gimmicky or not, and all the while didn't lose site of what the movie really was and had fun teasing themselves about it.
I give this film a thumbs up and 3 out of 4 stars. Like I said I believe most people will enjoy this movie but anyone in the young adult range will relate to it more. It's a good date movie as it works great for both sexes. It even has a partial nudity scene of each main character to please each party so you can't go wrong. You can buy this movie on DVD or Blu-Ray now as well as rent it at your local Redbox. Enjoy!
Editor's Note:My next review will be on the romantic comedy (once again, I know) Crazy, Stupid, Love starring Steve Carell, Julianne Moore, Ryan Gosling, and Emma Stone. Also, the Oscar nominations are being announced tomorrow so be on the lookout for those as well!!!
